8/14/2023 0 Comments Hip hop history bay area![]() Underground Hip-Hop Club, San Francisco CA, 1995. He’s done a hip-hop atlas of the Bay Area, pointing to different places around the Bay - I think over 40 sites - and explaining their meaning and importance historically.” Bartlow MethodMan Traci Bartlow, Untitled. He was one of the early writers for local and national publications and he happens to be in the area. “We are working with local music journalist Eric Arnold. We are calling it, ‘The Town, The Bay,’” de Guzman says. “We are also setting aside a space that is dedicated specifically to the Bay Area. Speaking of local hip-hop stars, the Bay Area definitely gets its due in this exhibit. ![]() “Imagine a 41-minute amazing music video including everything from local hip-hop stars to Run-DMC to contemporary folks like Cardi B and everything in between.” “That’s going to be a really impressive thing for people to experience,” he says. ![]() And de Guzman makes a point to mention the video mix by Los Angeles-based DJ Mike Relm, shown in an immersive, multi-projector media environment. There are also curated listening stations, where fans can get an earful of significant hip-hop recordings, as well as a spotlight on hip-hop style, highlighting street fashion - from clothes to hair to grills - high-end couture, even automobiles and other items and styles. ![]() Lewis) of Cold Crush Brothers at Club Negril, 1981. We also have a video from the ’80s, when hip-hop was showing up in very early music programs like Soul Train, Soul Beat, cable access television.” Joe Conzo Joe Conzo, JDL (Jerry D. “There’s also photography from the ‘80s - the classic moment when hip-hop was coming up. “We are displaying some incredible historic documents from the early ’80s, late ’70s, (like) party flyers from New York, handmade bills,” de Guzman says. Notable items include a handwritten essay by Tupac Shakur, an LL Cool J jumpsuit and Grandmaster Flash’s original DJ gear. Hip-hop history buffs should be fascinated by the array of photographs and artifacts on display. The exhibit tackles the far-reaching aspects of hip-hop in six thematic sections, exploring its global impact as well as the significance of the Bay Area and California in its development. I have been able to travel to different parts of this country, as well as internationally, and not only connect with others but gain greater understandings of their daily lives, cultures and acts of beautiful resistance for justice through hip-hop or other forms of activism.”Ĭhecking out #RESPECT at /tOALTzzrE2 “Being a part of hip-hop culture has provided pathways for me to become part of a global community that is connected through culture, craft and often pursuits of justice. “It has allowed me to be part of collective healing and to work with children and youth in various locations, and that means the world to me as an educator and advocate for children. But it sounds like one long song.“Hip-hop has allowed me to explore my understandings of myself and the world through my art,” says Ludlum, who acted as an advisor and helped curate some of the music for the “Respect” exhibit. It's a good song you can bounce for hours. ![]() "If I turn on the radio now," says Tajai, "it sounds like one long song. When being yourself - and doing it yourself - got you radio play. A time and a place where rapping about money in the ghetto and the Communist Manifesto under a redwood canopy - there was room for all of it. Tajai says the title track of Soul's debut album, '93 Til Infinity, was an anthem for an era. We were talking about the variety of different groups coming out - you said The Coup, Too Short, E-40, Del - as far as our Oakland, we used go hang out in the forest for hecka hours, rapping." But even more influential on the Souls of Mischief, he says, was the juxtaposition of the gritty East Oakland streets he grew up on with the serene beauty of the Bay's nearby beaches and forests. He says it helped inform his group's sound. Tajai Massey describes Bay's do-it-yourself mentality as scrappy. ![]()
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